Showing posts with label CBK Van Norman. Show all posts
Showing posts with label CBK Van Norman. Show all posts

Thursday, November 8, 2012

Vancouver Curio: Pratt by Archer



A recent find: a portrait of Ned Pratt by Vancouver photographer Tony Archer.

Judging by Pratt's clothes and age, it likely dates from the early-mid 1960's.

Tony Archer was a Vancouver photographer active from the late 1940's until the early 1970's. During that time he photographed many business and political leaders, as well as the city's architecture. As it turns out, he also photographed Barry Downs' parents CBK Van Norman-designed home.

Archer retired in 1972, sold the business to Stephen Miller and David Olds and donated his pre-1960 negatives to Archives Canada. His post-1960's negatives were later donated there as well.

This particular print measures roughly 12"x18" and has been unfortunately laminated. It is signed by Archer on the print and by Pratt on the matte. 

Wednesday, June 27, 2012

UEL Residential


The University Endowment Lands continues its evolution from a sleepy, professorial enclave spotted with pre-1940's colonial and modest mid-century housing stock, to one increasingly populated by new structures that maximize square footage and cost per square foot.

It's the now classic Vancouver paradigm of small houses on large lots that encourage demolition and rebuilding.

The list of architects who built in the area is a who's who of Vancouver's early progressive designers: Sharp + Thompson, Berwick, Pratt, Thom, Hollingsworth, Downs, McNab, Lasserre, Porter, Van Norman, Erickson, McCarter + Nairne, Semmens + Simpson and McKee.

It's a significant concentration of housing and one that is slowly being lost. Recently the Muir Residence (see below) was razed. Designed by Sharp + Thompson, Berwick, Pratt in 1951, it displayed early modernist characteristics such as strip windows, a pitched shed roof and a red brick chimney on cross axis. 
Other houses that have been demolished include Maslow (S+TBP), Miller (J.L. Miller), O'Connor (McNab), Mackay (Cullerne) and Mitchell (Semmens + Simpson).




There are those that remain, in varying states: S+TBP's Freeman house sits in disrepair and for sale. McKee's Ellett house is wasting away, utterly engulfed in overgrown landscaping, boarded up and awaiting eventual demolition. 

The Jones house, by RJ Thom (at S+TBP) has been sympathetically renovated and remains intact. Porter, Chard + Wisnicki's Nemetz house sits as it always has, virtually unchanged. The Gladstone (Hollingsworth) and Narod (Thom) houses still nestle on their lots, for who knows how long. Barry Downs' late modern Oberlander house still looks serenely out onto the adjacent ravine.

It's not all bad news, however, as there is good work being built by more recent generations of Vancouver architects. Bing Thom, Nick Milkovich and D'Arcy Jones are now represented in the area, providing a welcome foil to the faux heritage that predominates, and a continuation of the dialogue that was started over half a century ago.


Below: Narod, Ellett and Oberlander houses.