As with the inaugural 2005-2007 biennale, some pieces will be retained at the end of the show. Let's hope for a better reception for these than that of Dennis Oppenheimer's Device to Root Out Evil, which after much consternation ended up at the Glenbow Museum in Calgary.
The objective of the show is to engage the city in a dialogue about art and the social value of public spaces and judging by the last go round, it succeeds wildly.
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